JeffreySmithArt


Forsythia and Copper Canister, update #2
Forsythia And Copper Canister, 18x24", pastel on Wallis paper, Jeffrey Smith

Forsythia And Copper Canister, 18x24", pastel on Wallis paper, Jeffrey Smith

I’ve been digging through my boxes of pastels to find colors that I can use to unify areas of the painting.  To do this, I try to find a color that can be applied to a few different objects. 

An example would be the light blue that I was able to use in the background, the table top, and the green cloth on the left side of the painting.  By repeating strokes of the same color on top of different objects, it help to create a feeling of those different objects being seen under the same light.  In this case, it is cool north light through my studio window.



Forsythia and Copper Canister, work in progress update
Forsythia and Copper Canister, pastel on Wallis paper, 18x24", Jeffrey Smith

Forsythia and Copper Canister, pastel on Wallis paper, 18x24", Jeffrey Smith

I finally got back over to the studio today.  We have been moving from an apartment in the Warehouse District of downtown Minneapolis, to our first house, over in Saint Paul!  I’m thrilled to be living back in Saint Paul, but moving is a lot of work! Every time that I’ve done it, I swear that this is going to be it for a long time, but I think this time, it is going to be it for a long time.

I worked across the whole painting today.  My goals were to

  1. Develop and  correct the drawing, or shapes through out the painting 
  2. Push for a more accurate value relationship. Basically how light or dark is one thing or shape in comparison to the things or shapes that surround it. 

With pastel, I usually add in some “pushed” or exaggerated colors at this stage.  These colors with get subdued as the painting develops further, but the colors influence can be felt.  You can see an example of this with the strong red on the right side of the bowl, or the orange on the folds of the cloth  just to the left of the copper canister.